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At thirty-seven, Miri is a twice-widowed, El Al flight attendant. Her well-regulated existence is suddenly turned upside down by an abandoned Chinese boy whose migrant-worker mother has been summarily deported from Israel. The film is a touching comic-drama in which two human beings - as different from each other as Tel Aviv is from Beijing - accompany each other on a remarkable journey, one that takes them both back to a meaningful life.
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Rated:
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[ PG ]
Mild Course Language
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Cinema release:
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18 Jun 2009
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Director:
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Ayelet Menahemi
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Running time:
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100 mins
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Stars:
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Mili Avital, BaoQi Chen
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Links:
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IMDb
Rotten Tomatoes
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What we say
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Impractical but endearing
If you end up sitting in the cinema feeling a little disorientated by the dialogue switching between Hebrew, Mandarin and a tiny bit of English, spare a thought for the film's namesake, Noodle (BaoQi Chen). The young boy's Chinese mother has just been deported from Israel, leaving him in the care of the flight attendant whose house she cleaned.
"Noodle" speaks little more than a couple of Hebrew phrases and the flight attendant, Miri (Mili Avital), speaks no Mandarin. Clearly, finding out exactly what's happened to Noodle's mother is going to be a struggle, but it's a struggle worth watching if you have a high tolerance for melodrama.
If you don't have any such tolerance, "Noodle" is likely to frustrate you. All at once Miri tries to learn what's become of her illegal immigrant housekeeper and return her son; negotiate the complexities of Noodle's non-citizen status; maintain a civil relationship with her grumpy, jealous sister; and jet about the world on airliners with uncharacteristically lax Israeli security.
There are plenty of quaint, charming moments peppering the film, and the maternal relationship that the twice-widowed Miri develops for the abandoned "Noodle" is sincerely touching. But the subplot that dominates much of the dialogue is less subplot and more distraction.
As amusing as the resulting banter is, the bizarre "love" quadrangle involving Miri, her sister Gila, Gila's husband and Mati, their former neighbour, comprises too much of the film.
The saving grace of director Ayelet Menahemi's "Noodle" is the sentiment of a stranger's potential to love a child in need and the lengths they might go to find a safe home for that child (without the aid of the appropriate authorities or American pop stars).
Sure, the language barrier is confusing in spite of the subtitles (that's part of the point), but the efforts the characters make to understand and help the boy are endearing. Entirely impractical, but endearing.
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Find more info on Noodle with Bing Search
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What you say
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